Thursday, September 28, 2017

Brett Relies on Men

Some of the discussions and panel presentations as of late have brought up the idea that Brett embodies the image of "The New Woman". I think this is true, to some extent. Brett's heavy drinking, smoking, short hair and androgynous clothing suggest that she tries to distance herself from traditional feminine stereotypes. It also seems that all the men in the novel are constantly vying for Brett's attention.
But I believe that Brett, in the end, is as dependent on men as they seem to be dependent on her. Brett relies on them both financially and socially. One example is after her break up with Romero, where she sends a distressing telegram to Jake that says she is trouble. She later confesses that she has run out of money. Is it possible that Brett sent for Jake mainly so he could bail her out of Madrid? On one hand, it's kind of sad to think about, but I think it's plausible. 
In addition, Brett has never truly been alone throughout the course of the book. She was always with the Count, Cohn, Jake, Mike or Romero. It's possible that Brett needed these men in her life partially for financial support, but also partially to exert her dominance. We see Brett toy with the emotions of the men throughout the novel. We could debate about whether or not it's intentional, but in the end, her flirtatious manner is a huge part of Brett's character either way. It's a very 'Brett' thing to do. 
Because Brett is so used to interacting with men in that certain manner, it's odd that Brett is so emotional after her break up with Romero. When she leaves Mike for Romero, Brett doesn't think twice about Mike. But as Brett tells her breakup story to Jake, she is visibly shaken and lacks her usual self control. She tells Jake that they should stop talking about Romero, but Brett herself keeps mentioning his age, birthday, and language skills, among other things. In addition, Brett says that Romero was "ashamed of [her] for a while", but eventually got over it. However, a few lines later, Brett undermines herself by mentioning that Romero "would have gotten used to" her appearance later. The word "would" suggests that Romero was still disapproving of Brett towards the end of their relationship. These details seem to suggest Romero broke up with Brett, instead of the other way around.
This brings me back to Brett's need to asset her dominance over men. When Romero takes the position of power in the relationship, Brett is completely shaken. I highly doubt any man would have broken up with her before Romero (possibly) did, so rejection is a foreign feeling to Brett. In the end, Brett seems to realize that she cannot function alone. Thus, she immediately calls Jake to provide her with financial and emotional support, displaying how much Brett relies on the men in her life.



Thursday, September 14, 2017

Fear no more the heat of the sun

The saying "fear no more the heat of the sun" comes up repeatedly at various points in the novel, both from Clarissa and Septimus' points of view. After a little bit of research, I discovered that the quote is from Shakespeare's Cymbeline, and it is said as part of a funeral song in the play.
In Mrs. Dalloway, Clarissa first encounters the quote through a shop window that displays an open book. At first, this quote may seem confusing or unimportant. We have just met Clarissa and are beginning to learn more about her personality. However, if you look at the quote from the broader scope of the novel as a whole, it is very telling. Right before she sees the book, Clarissa thinks about death. She asks if it mattered that "she must inevitably cease completely", and asks "did it not become consoling to believe that death ended absolutely?" Clarissa, until the end of the novel, seems to fear death. Or, on the contrary, she seems to enjoy life thoroughly, saying "what she [Clarissa] loved was this, here, now, in front of her". Clarissa seems to find comfort in reading the words, "fear no more the heat of the sun" especially in the face of adversary.
Another similar instance occurs when Clarissa is disappointed after hearing that Lady Bruton has asked Richard to lunch. Lady Bruton is someone Clarissa looks up to, and she wasn't invited to Lady Bruton's lunch. Again, Clarissa looks to Shakespeare for comfort, repeating the line from Cymbeline. We also return to the image of death as Clarissa describes herself as feeling "suddenly shrivelled, aged and breastless" and notes her failing "body and brain", both of which are direct results of Clarissa not being invited.
Similarly, Septimus refers to this line of Shakespeare for a sense of comfort. As Rezia makes hats, the frightening images he sees, such as the dogs barking, fade "far away on shore". Septimus can finally relax, and "fear no more", as he relishes the golden beauty of nature in that moment. However, a mere few pages later, he commits suicide. Perhaps "fear no more" was not referring to Septimus' suicide directly, but Woolf seems to constantly put Shakespeare's quote in proximity to death imagery.
The last instance occurs near the end of Clarissa's party. She contemplates Septimus' death in a separate room and then watches the old woman go up to bed and turn off the light. Besides the obvious presence of Septimus' death, I think Woolf created additional death imagery with the old woman. She closes the blinds and turns off the light, and Clarissa watches her intently, saying "fear no more".  It seems that Septimus' death and the old woman have provided Clarissa a frame of reference to what life is, and she accepts the fact that she will die one day. The line also gives her the courage to face her past (literally), despite her regrets about it, and return to Sally and Peter.