Friday, March 16, 2018

Paris

Baldwin's story "This Morning, This Evening, So Soon" takes place in Paris, where the narrator, an American expatriate, and his family have lived for twelve years. They are on the verge of returning to the US for the narrator's work, and he is understandably nervous about the transition.

For the narrator, Paris is very special to him because has allowed him to "enter [his] own life." He thinks about how his relationship with his wife, a white Swedish expatriate, would not be possible in America. As the narrator describes it, "if Harriet had been born in America, it would have taken her a long time, perhaps forever, to look upon me as a man like other men; if I had met her in America, I would never be able to look on her as a women like all other women...we would never have been able to love each other. And Paul would never have been born." Besides his relationship, which is considered normal in Paris, the narrator seems to imply that Paris has allowed him to become his own individual. In the US, society attempted to define him solely by his race. This pressure is absent for him in Paris, which allows him to define himself (however, he does acknowledge that France has its own racism).

Later in the story, the narrator recounts on his visit to the US for his mother's funeral. During the ship journey, he begins to feel uneasy, noting that the Americans on board were friendly to him, but it was a friendliness that was "not intended to suggest any possibility of friendship." After tipping a waiter on board, the narrator notices a "flicker of wry sympathy" in the waiter's eyes, and another uniformed crew member refers to him as "boy." As he travels to his Alabama hometown, the narrator has a difficult time hiding his dislike for the cops and white people. He mentions that he tries to say "no sir" or "no ma'am" the 'correct' way, but never succeeds. The narrator, after spending time in Paris and gaining a broader view of the world, seems to pose more of a 'threat' to the white people in Alabama, who find that they are unable to define his place in society anymore.

The narrator eventually returns to Paris, excited to escape from American society. But I think it's important to realize that while he has physically left the US, he can never really 'escape' from America. He was born in America and will always carry his experiences with him. This becomes apparent when the narrator discusses the role of Chico he played in one of his movies. The director of the movie, Vidal, recalls how the narrator could only produce a good performance when he drew upon his rage and frustration that he experienced while living in America.

Paris has also helped the narrator to better understand his upbringing in America and where he came from. His life in Paris offers perspective on how his fellow African-Americans are treated in the US and aids him in understanding his own culture. And generally speaking, looking from the outside in can reveal things that someone might never have noticed if they were inside.

I thought this was a great story overall. I really enjoyed the contrast the author draws between Paris and the US, and how it enabled the narrator to understand his origins. Looking at Baldwin's other stories, setting always seems to play an enormous role.

Thursday, March 1, 2018

How Does Teddy Die?

(Sorry about the weird formatting)

For me, the ending of Salinger's short story "Teddy" came across as an unexpected shock. Even if the reader had picked up on earlier hints dropped by Teddy, I don't think that many people fully expected the story to end in the way it did.
But going off that, how does the story end?
Upon first glance, it seems that Teddy dies. For one, Teddy hints that something important "will either happen today or February 14, 1958 when I am sixteen." This 'thing' becomes clearer later in the story, as Teddy (oddly) explains in great detail a hypothetical situation where he dies.
"I have a swimming lesson in about five minutes. I could go downstairs to the pool, and there might not be any water in it. This might be the day they change the water or something. What might happen, though, I might walk up to the edge of it, just to have a look at the bottom, for instance, and my sister might come up and sort of push me in. I could fracture my skull and die instantaneously." 
And in that famous, ambigious closing scene, we hear piercing screams from the pool, "clearly coming from a small, female child." This seems to suggest that a) Teddy and his sister are indeed at their swimming lesson, and b) something horrifying has happened.
If we as readers believe that Teddy is truly a spiritual genius who can outsmart professors at institutions around the world, then perhaps this whole situation is more believable. Maybe Teddy can truly predict his death.

But even if we accept this ending, it raises a few, important questions. For one, is it possible that Booper  murders Teddy? If Teddy knows that he's about to die why doesn't he try and stop it?
Both are sinister and chilling to think about. Maybe Booper and Teddy's relationship is more strained than just a "sibling rivalry". Or maybe Booper is truly evil. If we believe Teddy's intellegence is real, then it really isn't a far stretch to consider that Booper is a malicious child. Or heck, maybe Booper was just predetermined to kill Teddy when she was born. As for why Teddy does not try to avoid his inevitable death, it makes the most sense to assume that he believes that death—and dying, is not a big deal. He truly thinks he will be reincarnated again.

Another explanation of the last scene is that Teddy commits suicide.
From this point of view, we regard Teddy's genius with skepticism. After all, what ten-year old truly behaves like Teddy? Perhaps Teddy is actually a very mentally disoriented child, who has conjured a whole different world in his head. If we consider the people around Teddy—his parents, Bob, and Booper—they all seem much more different and removed.
Early on in the story, Teddy complains that he was only reincarnated as an American because he could not stay focused while meditating in his earlier life. Based on this detail, it would make sense for Teddy to be frustrated and even feel trapped in his current situation. Perhaps Teddy jumps into the empty pool himself in an attempt to escape from the confinements of his American life.

One last possibility to consider is that Booper is the one who dies (I didn't consider this until someone brought it up in class). It depends how closely you want to read into the text, but the last paragraph states that the piercing female scream seems to "reverberate within the four tiled walls." Maybe Salinger literally means "within"—that Booper screams as she falls into the empty pool.

There's no doubt that Salinger keeps the ending very ambiguous. A few of his other short stories have ended similarly, causing the reader to ponder (at times, with great frustration) what has actually happened, and what will happen.

How do you guys read the ending of "Teddy"?