Wednesday, November 15, 2017

Betrayal and the Crowing Cock

In Wide Sargasso Sea, one detail that keeps popping up is the cock/rooster crowing. In one instance, Antoinette seems to specifically state that the rooster’s call impends betrayal. “But who is the traitor?” she questions. It becomes clear that the traitor in that instance is Amelie, who betrays Antoinette and sleeps with Rochester. Their encounter is arguably the last straw for Antoinette, who immediately leaves to meet Christophine. Later, after Antoinette's return, she grills Rochester over the affair, telling him that he’s no better than the old slave owners.
I was also curious to see whether the rooster’s crow signaled impending doom in other parts of the novel. Shortly after Antoinette and Rochester arrive in the island, Rochester mentions how he had to listen to “cocks crow all night”. As they explore the landscape the next day, Rochester feels uncomfortable, overwhelmed by the size and color; “too much blue, too much purple, too much green”. But perhaps the most telling is Rochester’s reaction to their temporary house, calling it “more awkward than ugly, a little sad as if it knew it could not last”. Here, we are provided with an ominous reference to Antoinette and Rochester’s eventual fate. In addition, the cocks crowing every night seem to strengthen this idea that from the start, their relationship would end in some sort of betrayal.
The last instance of the rooster’s call seems to be the most chilling. By this point in the novel, Rochester has transformed into a near madman-- to destroy Antoniette, he plans to take her back to Jamaica, and then England. He begins to write a letter to the lawyers in Spanish Town, requesting to rent a large house with separate suites, and servants who he would pay very liberally if they keep quiet about Antionette. The entire time that Rochester writes the letter, a cock crows persistently outside. Rochester is clearly annoyed and even throws a book at the animal, but the cock just moves further away and begins to crow again. This seems to indicate Rochester’s final--and worst-- betrayal: taking Antoinette away from the places she so dearly loves.

Upon further research, I also discovered that the image of a crowing cock is often used in literature as a symbol of Peter’s betrayal of Christ:  “I tell thee, Peter, the cock shall not crow this day before that thou shalt thrice deny that thou knowest me’, (the Bible, Luke 22:33). Thus, it makes a lot of sense how Rhys employed this image in her novel. Although there’s a feeling of unease throughout the entire novel, I think the crowing cock image was interesting to explore. We mentioned in class (earlier in the book, before Rochester goes crazy) that there might be a sliver of hope for Antoinette and Rochester’s relationship. There’s no denying that there are a few scarce moments of tenderness: when he buries his face in her hair, or admires her white dress. But I feel as if the rooster really drives home the point that despite these moments, Rochester and Antoinette were doomed from the moment they arrived in the islands.

Friday, November 3, 2017

Is Meursault Indifferent?


I think in general, the ending of The Stranger is pretty satisfying. Throughout the whole novel, emotions and everything are kind of pent up. Meursault finally seems to release everything in his long rant to the chaplain towards the end of the novel, and it definitely made me feel relieved. I guess you could think of it as a flood, slowly pushing against a wall, and it finally breaks through. In addition, afterwards, there is the sense of some “calm after the storm” when Meursault talks about the stars, the salt air and the “wondrous peace”.
Despite all of this, there’s some part of me that’s not satisfied. I still have questions about Meursault that I feel like were not answered.
First, he talks about the gentle indifference of the world, and how it feels like a brother to him. For me, this phrase suggests quite clearly that Meursault recognizes his own indifference towards things in his life— especially the consequences of his actions. I don’t think we should be surprised by this at all— his actions throughout the book, his line about “to shoot or not to shoot” all reflect his attitude.
But here’s the thing that confuses me a little. Prior to his execution, Meursault feels disappointed once he realizes that there will be no scaffold to climb, as if he wished the execution was more grand and dramatic. His last line in the book seems consistent with this idea as well. Meursault hopes that there is “a large crowd of spectators the day of my execution and that they greet me with cries of hate”. These thoughts seem to suggest that Meursault almost wants to be acknowledged for his idiosyncrasies. I think he recognizes that most people do not think or act in the same manner he does. Cheers of hate would validate that his ideas and attitude are at odds with society.
If this were confirmed, I think it would make death easier to cope with for Meursault. He can die knowing that he was sentenced because of his own philosophy, not necessarily because he killed a man. Maybe there’s some triumph in that acknowledgement.
However, I feel as if these two things are at odds with each other. On the one hand, Meursault describes himself as “indifferent”, but on the other, he seems to care about who wins the moral (?) battle in the end (what they are killing him for). So I don’t exactly know what to make of Meursault’s character at the end of the novel.
I had a decent amount of trouble fleshing out some of my ideas as I wrote this, but hopefully it makes at least some sense. How did you guys interpret the last few pages of the novel?